Scott saw Avengers Endgame last night and he says that even though the film is three hours long, it moves pretty well and he never checked his watch. If you're a Marvel fan, you'll find it very satisfying. Scott also said that since this was the end of the 22 movie Infinity Saga, there is no end or mid-credits scene. Scott saw it in Dolby Cinema and it was beautiful. The film was shot entirely on IMAX cameras; you don't see that much more. If you want to see it in IMAX, make sure your IMAX theater has laser illuminated IMAX or Dolby.
Scott says that the profiles and codecs for Bluetooth, like aptX, are getting better. Scott saw Captain Marvel in Dolby Vision and he said the filmmakers did a great job with the sound and picture. See it in Dolby Cinema with High Dynamic Range and Atmos sound if possible, although IMAX is also a good choice.
Scott Wilkinson says he went and saw FIRST MAN in IMAX because the moon walking scenes were shot primarily with IMAX cameras to get a larger, taller image. Scott says that is the trend now, shooting a portion of a film with IMAX in order to make those scenes far more immersive and dramatic. Scott says that there's now a program called IMAX Enhanced, which brings that experience into the home by filling the 16x9 screens of today's TVs with additional content. No letterboxes.
Scott saw Avengers: Infinity War this week. Scott says it's long at 2 1/2 hours, but it's a great popcorn movie. Marvel brought together over 78 characters from across the entire Marvel Cinematic Universe. Scott thought it was fairly "one note," emotionally, but that seeing it in Dolby Cinema really made the image "pop." The sound was great. He saw it in 2.35:1 aspect ratio, while IMAX is taller at 1.9:1. So Scott says that if you see it in IMAX, you'll see more of the image information.
Scott went to see Dunkirk in both 70mm IMAX and Dolby Cinema. He preferred 70mm though. Not a lot of deep blacks, but ultimately IMAX is best because that's how director Christopher Nolan shot it. And he shot it on the same beach in Dunkirk, Belgium with original aircraft and boats. The important point is that all the shots are framed within IMAX's square aspect ratio of 8x6. It makes it very immersive. Leo says it's a great movie, beautifully done. Scott agrees. And quite historic in its depiction.
So the Jungle Book came out and Leo says it's fantastic. But they made the deliberate choice to make a combination live action for the human actors, and then CGI for the rest of the animals in the Jungle. The reason is something called "the uncanny valley," which states that as humans, we are so fine tuned to how a human being should look and if it's the slightest bit off, we instantly see how fake it is. We don't get that with animals or other animated characters. So in the Jungle Book, it completely works.
Scott went and saw Furious 7 at the TCL Chinese Theater, where he saw it in IMAX with their new laser illuminated projectors. Scott says it was some of the best projected images he's ever seen. Amazingly deep blacks, bold colors, and incredibly bright. But even then, it can't project in high dynamic range like the Christie laser projector across the street at the El Capitan. It's still an amazing new technology, though. The good news is that the laser illuminated projection means you don't need a silver screen to project it. Which is great for 2D movies.
Scott is getting ready for TubaChristmas Los Angeles, coming December 16th! With performances also happening all over the country. But he's also here to talk about the Hobbit: An Unexpected Journey, which will be playing in six different formats across the country, including 3D HFR (High Frame Rate). But the best will be in theaters that have Dolby Atmos.