This week, Scott is going to be going to Sony Pictures to see their Crystal LED technology. It's like a giant LED TV, the size of a movie theater. It looks super cool and will get much brighter than any projected image. That means the dynamic range is incredible. He'll be watching MIB International. Scott says that there is no HDR format for any other display system other than Dolby Cinema. So it'll be interesting to see how this will compare.
Scott went to an Aerosmith concert and was amazed at the quality of the video projection. He also learned that if you pay enough for your ticket, you can sit on the stage, listen with a pair of in-ear monitors, and listen to either the house mix or Steven Tyler's monitor mix. You can also get a free iPod. Cost ... starting at $800. Leo says that's not surprising at all. Concert tickets are really expensive now, pricing out a lot of younger fans.
Scott Wilkinson recently did an article on how soundbars have the design flaw of using only a single HDMI port. But what if you have multiple HDMI devices you want to connect? Scott was reviewing an LG Atmos Soundbar, when he discovered the drawback. Looking around, he discovered the same problem with other soundbars as well. Leo says you can use Optical, and that makes sense. But Scott says the optical output is limited and doesn't support Dolby Atmos. The only thing that carries the Atmos bitstream is HDMI.
Scott has been reviewing in-ear monitor earphones of late, and the good thing about them is that they seal the monitor in your ear so you don't have to have the volume turned up so loud. Scott recently tested a pair from 1 More, which makes mostly wired models. But this set of wireless ones is their first foray into the market and can be charged by putting them into a case. Much like AirPods. Are they good as a wired model? Scott says almost, but not quite.
Scott joins us to talk about how the Sony OLED TV won the great Value Electronics Shootout. He's written a great article about it here. Also, this week, Scott attended a monthly meeting of SMPTE, the Society of Motion Picture and Television Engineers, about immersive technologies. Scott says that the talk was about how 3D is essentially simulated. How do you get an authentic holographic presentation? The current solution is through Light Fields.
This year, Scott Wilkinson was MC at the annual Value Electronics TV Shootout in New York. The test was done using TVs own on board Netflix apps to keep everything even. There was even a blu-ray player which used a switcher to send the signal to each TV. Top contenders for 2019 included the LG C9 OLED, Samsung Q90R, Sony A9G OLED, and the Sony Z9F LED LCD TV. There was also the Sony X800 Pro Reference monitor used for comparison to see how close each TV came to it. All 4K, HDR. There eight professional color grading pros judging.
Scott says that Vizio has announced their 2019 lineup and he says that the TVs are very impressive. Vizio has been using Quantum Dot technology in their top of the line models for a few years, but this year, they have moved the technology down to the mid-range. And that's a good thing. In their top of the line Quantum PX, they have a peak brightness of 3000 NITS, which is super bright. Why so bright? Because of the high dynamic range. They need that brightness for "specular highlights" of tiny reflections. The Color Range has also been expanded.
Scott has a question from a user that wants to know how he can run his audio from the TV to his home theatre. He uses the TV's internal smart apps. Scott says that the audio return channel (ARC) that you want to use. This depends on his receiver. Current TVs have this capability. Take the HDMI out from the receiver to the ARC port. That way the sound will come out of the home theatre speakers.
This week in San Jose is the annual Super Geek Display Conference. Scott says it's the display conference of the future. And one of those future display tech advancements is Electroluminescent Quantum Dots. It's like OLED but 10 times as bright. Read his article on AVSForum here.
The big news this week was the pivotal battle of Winterfell on Game of Thrones, and the problem was it was so DARK and badly lit. Scott says that it's almost as if the filmmakers didn't take into consideration that those who are streaming would be dealing with a heavily compressed image, that would crush the details in dark areas. Add the fact that it was the most watched episode in HBO history, it had to deal with congestion as well. The episode will no doubt look better on Blu-ray and in UHD. But with the heavily compressed signal of a 4K stream, it simply didn't.