Yesterday, Scott saw Rogue One and without giving away any spoilers, he said you want to wait until the very end. Don't leave. Scott saw it in Dolby Cinema because that's how it was color graded, and he thinks it's the best way to see it. High Dynamic Range for best picture quality. The problem is that AMC in Burbank showed it in 3D Dolby Cinema, and Scott hates that. It was still well worth seeing, though. If you can see it in 2D Dolby Cinema, do that.
Kevin bought an OLED HDR TV and he's worried that with two different HDR formats, it will soon be obsolete. Scott doesn't think so. In fact, HDR 10 is an open standard and most TV makers will support it. Dolby Vision, however, is a required license. All content streaming in HDR is supported by HDR 10 as is HDR Blu-ray. Even rival Dolby Vision supports HDR 10 so if a TV doesn't recognize Dolby, it will play HDR 10. So it'll most likely survive long into the future.
Scott says that some movies are very effective on the silver screen and there are some that just work better in the movie theater, especially when equipped with Dolby Vision with Atmos Immersive Sound. Though you can get Atmos at home now. You can go to a nearby draft house theater which will serve you dinner and drinks while you're watching the movie. That's a great night out. Scott says that exhibitors are trying to find any way to get people to come out to the theater and improved projection and audio systems, along with those dinner theaters are definitely a good way to get people out.
Scott says that the consumer industry has decided not to go all in on OLED, rather they will continue to focus on LCD TVs. LCDs are getting better, even approaching OLED. Sony's Z series is one such series. Scott says that the backlight in the Z series has independent LED backlights that get dimmed separately for precision control. Scott says that they are the brightest on the market and the HDR footage he's seen is remarkable, with incredible detail at extreme ends of the dynamic range. But they aren't cheap. They're around $8,000 to 10,000 for up to 65".
Scott saw Independence Day Resurgence last night. It was a little disappointing and felt like there were too many writers in the room. It was fun to see the band back together 20 years later, though, and there was lots of nostalgia. The younger actors don't bring it as well, though. It did look fantastic in Dolby Cinema, at least. This gives you the movie in high dynamic range through Dolby Vision and Dolby Atmos. It really is the way to see it. It'll cost more, but it's really worth it. Scott has a list here.
Scott is back from NAB and he went early to attend the "Future of Cinema" conference. He saw a film by Ang Lee that was shot in native 3D on a pair of Sony F65 Cinema Cameras at 120fps. 5 times more than standard 24p. Scott says that for showcasing the film in conventional theaters at 120 fps, they will have to project it in 2K. Some say it looks like video, not a movie. But Scott says that's because we're so used to the way it's looked for the last 100 years. Now that we have better technology, we should keep moving forward. And theaters can always down shift the frame rate.
Scott has big news that Vizio has changed the name of the game in big screen TVs. On Tuesday, Vizio announced the P-Series, which has much of the R-Series features for 1/3 of the price. It comes with HDR with Dolby Vision, and it will get a firmware update in 90 days that will give users HDR10 as well. This is huge because it should drastically drop the price of HDR 4K TVs fairly quickly.
Scott hasn't seen Star Wars: The Force Awakens yet, but he has heard nothing but good things. It seems that most people are writing reviews just saying that they like it, and not giving any plot details. Leo says that it's on track to be the highest grossing opening film of all time. As for 3D, there's really nothing in the movie that takes advantage of it. It was largely invisible. Scott says that's why he's going to see it at the El Capitan in Dolby Vision with Dolby Cinema High Dynamic Range.
Scott says that there's a movement underway to be able to watch movies in virtual reality. But that comes with it's own set of problems, chief of which is the sound, which would require a head tracking system to change the ton of the audio as you move around. And that would also mean a processor intensive issue.
Scott saw "Pixels" and he enjoyed it because it appealed to his inner nerd. The graphics are gorgeous. He went to see it because it was shown in Dolby Vision's High Dynamic Range. There's only five theaters in the US that support it. The next movie in HDR will be Mission Impossible: Rogue Nation.