Scott went and saw Guardians of the Galaxy 2 last night and he really liked it. He saw it in Dolby Vision and he's glad he did. Make sure to see the first one before you see this one, though. There's a lot of plot points from the first one.
Scott joins us to talk home theater and has questions from the chatroom. Is there a great ultraHD BluRay? Scott says that Oppo is the best out there. It supports HDR10, Dolby Vision, and 4K. But it doesn't support streaming, and Oppo says that since people get streaming from other devices, that it wasn't necessary for Oppo to get caught up in that. They just focus on having the BluRay player still be best at playing discs. It's everything you want in a player, and at $550, it should. Another option is the Xbox One S, but it doesn't support DolbyVision yet.
Scott says that the new HDMI standard will be pushing 4K and 8K video at over 5400 Gbps. Will HDMI ever be replaced? Scott says that if metadata doesn't survive going through an AV receiver, it could greatly affect the HDR10 dynamic range going to the TV. Your AVR needs to support HDMI 2.0A to do that, and few manufacturers will tell you that. Dolby has launched a program to educate people on which devices will support Dolby Vision.
Scott says that while Dolby Vision is nothing new, it's the most important thing coming out of CES because it's now almost a standard feature in home theater products. It does has to compete with HDR 10, Technicolor's Version, and the BBC's HLG, but most will support HDR 10 and Dolby. We're going to see not only HDR capable TVs, but Blu-ray players as well. Leo says that format wars are frustrating and that nobody really has learned from format wars of the past. Scott says that TVs will likely have multiple decoders and support both.
Yesterday, Scott saw Rogue One and without giving away any spoilers, he said you want to wait until the very end. Don't leave. Scott saw it in Dolby Cinema because that's how it was color graded, and he thinks it's the best way to see it. High Dynamic Range for best picture quality. The problem is that AMC in Burbank showed it in 3D Dolby Cinema, and Scott hates that. It was still well worth seeing, though. If you can see it in 2D Dolby Cinema, do that.
Kevin bought an OLED HDR TV and he's worried that with two different HDR formats, it will soon be obsolete. Scott doesn't think so. In fact, HDR 10 is an open standard and most TV makers will support it. Dolby Vision, however, is a required license. All content streaming in HDR is supported by HDR 10 as is HDR Blu-ray. Even rival Dolby Vision supports HDR 10 so if a TV doesn't recognize Dolby, it will play HDR 10. So it'll most likely survive long into the future.
Scott says that some movies are very effective on the silver screen and there are some that just work better in the movie theater, especially when equipped with Dolby Vision with Atmos Immersive Sound. Though you can get Atmos at home now. You can go to a nearby draft house theater which will serve you dinner and drinks while you're watching the movie. That's a great night out. Scott says that exhibitors are trying to find any way to get people to come out to the theater and improved projection and audio systems, along with those dinner theaters are definitely a good way to get people out.
Scott says that the consumer industry has decided not to go all in on OLED, rather they will continue to focus on LCD TVs. LCDs are getting better, even approaching OLED. Sony's Z series is one such series. Scott says that the backlight in the Z series has independent LED backlights that get dimmed separately for precision control. Scott says that they are the brightest on the market and the HDR footage he's seen is remarkable, with incredible detail at extreme ends of the dynamic range. But they aren't cheap. They're around $8,000 to 10,000 for up to 65".
Scott saw Independence Day Resurgence last night. It was a little disappointing and felt like there were too many writers in the room. It was fun to see the band back together 20 years later, though, and there was lots of nostalgia. The younger actors don't bring it as well, though. It did look fantastic in Dolby Cinema, at least. This gives you the movie in high dynamic range through Dolby Vision and Dolby Atmos. It really is the way to see it. It'll cost more, but it's really worth it. Scott has a list here.
Scott is back from NAB and he went early to attend the "Future of Cinema" conference. He saw a film by Ang Lee that was shot in native 3D on a pair of Sony F65 Cinema Cameras at 120fps. 5 times more than standard 24p. Scott says that for showcasing the film in conventional theaters at 120 fps, they will have to project it in 2K. Some say it looks like video, not a movie. But Scott says that's because we're so used to the way it's looked for the last 100 years. Now that we have better technology, we should keep moving forward. And theaters can always down shift the frame rate.